This 3D look translates one of the outfits from my graduate collection “Éxode” into the digital realm. It consists of a sweater with printed branch motifs, a deconstructed apron made from the pattern of a pair of trousers, and wide-leg pants underneath. The digital reconstruction highlights the craftsmanship of the original zig-zag stitching, overlock seams, and frayed textures, translating tactile imperfection into virtual form.
Through CLO3D, I explored how the concept of èxode, the search for functionality and reconnection, can also exist in a digital space, where texture and movement evoke a new kind of material sensitivity.
Pleats Experiment
This project became a small playground for me to explore CLO3D for the first time. I created a lilac dress while experimenting with tools I didn't yet know—testing how pleats, fastenings, and volumes could interact in a digital space.
I was curious not only about the garment itself, but also about how light, movement, and composition could shape the atmosphere of the piece. Through rendering and scene design, I treated the digital environment as part of the creative process. The result is an open, playful experiment—where learning and discovery naturally became part of the design.
